![]() The UHD Graphics 610 can be found in mobile processors specified at 15 W TDP and is therefore suited for compact laptops and ultrabooks. Ultra HD Blu-ray ( 4K Ultra HD, UHD-BD, or 4K Blu-ray) 2 3 is a digital optical disc data storage format that is an enhanced variant of Blu-ray. HDMI 2.0 however is still only supported with an external converter chip (LSPCon). The Pentium chips should already support HDCP 2.2 and therefore Netflix 4K. Furthermore, Googles VP9 codec can also be hardware decoded. The revised video engine now supports H.265/HEVC Main10 profile in hardware with 10 bit colors. Farming Simulator 17, World of Warships or Dota 2 Reborn can be played on low settings. ![]() Due to its lack of dedicated graphics memory or eDRAM cache, the HD 610 has to access the main memory (2x 64bit DDR3L-1600 / DDR4-2133).ĭepending on various factors like memory configuration, the UHD Graphics 610 should offer a similar performance as the similar Intel HD Graphics 610 and the old Skylake HD Graphics 510 and therefore can only handle non demanding games. This "GT1" version of the Skylake GPU offers 12 Execution Units (EUs) clocked at up to 950 MHz (depending on the CPU model). Still, I can’t imagine working in 2.35, 2.37, 2.40, or 2.44 when 2.39:1 is the cinematic standard and yields functionally the same frame as those other aspect ratios.The Intel UHD Graphics 610 (GT1) is an integrated graphics unit, which can be found in low-end ULV (Ultra Low Voltage) processors of the Whisky-Lake generation. Also-as other folks have said-there are a lot of aspect ratios included here that I can’t imagine working with, but I will definitely concede that aspect ratio is more of a creative decision. I guess what I’m saying is that this chart is nice but it’s also kind of divorced from some best practices that could save a lot of time and aggravation over the course of a project. That doesn’t really add detail though, and it would add a ton of computational overhead and storage bloat, so it would make a lot more sense for the “12K 1.33:1” preset to be something around 8618×6480-the 1.33:1 crop from the 12288×6480 sensor. This item MSI Raider GE66 15.6' UHD 4K 120Hz Gaming Laptop: Intel Core i9-12900HK RTX 3080 Ti 32GB DDR5 1TB NVMe SSD, USB-Type C, Thunderbolt 4, Cooler Boost 5, Win11 Home: Titanium Blue 12UHS-235 ASUS ROG Strix Scar 15 (2022) Gaming Laptop, 15. Its full frame acquisition format is 12288 x 6480, so if I set the project’s resolution to 12288 x 9216 then I would have to crop and scale the 4:3 centre of the Ursa’s sensor to fit that resolution. 35:1 cinemascope aspect ratio would be 132px on top, and 131px on bottom (or. Using this chart, I would want to set my project’s resolution to 12288 x 9216, right? Well, the problem there is that the Ursa 12K’s sensor isn’t able to acquire in that resolution. Hisense 75 Class 4K UHD LED Roku Smart TV HDR 75R6E1 - Walmart Inventory. As an example, let’s say I’m shooting with an Ursa 12K and I want to frame for and generate a 4:3/1.33:1 master. ![]() Kind of a nitpick because I doubt anyone is really setting up their main timeline in standard definition anymore, but worth keeping in mind.Ģnd, I would say is that it seems unwise to use a chart like this to dictate your project’s resolution instead of basing it off of your acquisition specs. The pixel aspect ratio is going to be different depending on whether or not you’re mastering for NTSC or PAL, and also anamorphic widescreen or 1.33:1. I don’t wanna bag on these charts because clearly a lot of energy went in to making them but there are a few things that really stick out to me.ġst is that if you’re still working in standard definition then you’re not working with square pixels. James This projector displays a stunning image. You may also enjoy my article on picking the best aspect ratio for your film.įor more exclusive content like this, click here to sign up for my newsletter. ![]() If there is anything you would like added or corrected, please leave a comment below! I’ve also included some common social media formats at the very end too. Scroll down to view each format and aspect ratio combination – starting with 12K resolution at the top and moving down to standard definition at the bottom. Huge thanks to Wes of Firehouse Creative for putting much of this together, and allowing me to share it with all of you here. There are of course many other reasons you may need to reference this document, so feel free to bookmark the page for future use. Among other things, you can use it to help identify which resolution to use in post-production when setting up a new project or timeline.įor example – if you want to master your project to 2.39:1 aspect ratio in 4K, you can use this guide to find the correct resolution settings: 4096 x 1716 ![]() Below, you will find a detailed aspect ratio and resolution guide. ![]()
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